As it were, her story was never one about romance.
On a yellow beach towel spread upon the sand lay a sunburnt girl of 17. She had an easy smile and an ethnicity that was never fully confirmed. Often, but not always, she turned heads when she walked, out of what she could only imagine to be people’s bemusement. The attention made her notably self-conscious. She had full, soft lips like a cloud that had yet to be kissed. Her eyes, dark and shining, could seduce unwittingly, but only with handsome strangers she passed on the streets. Once at age 16, she became entangled in an innocent friendship with a Spanish boy at summer camp. To her stifled dismay, it never amounted to much more. That was the extent of her love life.
I have an unhealthy addiction to beautiful photographs of beautiful people.
I check Instagram every thirty minutes and log onto Tumblr for hours at a time. I go on Facebook to stalk the people with glittering lives and find them through what I can only imagine to be sheer desperation. The glitziest crowd is the Manhattanites. I once met a dark-haired girl over the summer who lives in an apartment on the Upper East Side, a true-life Gossip Girl in the flesh, hailing from Argentina’s international elite, with a backstory worthy of a Pulitzer Prize winning novel.
She vacations in Paris with her closest girlfriends, and they parade around the hotel room with thin flutes of champagne and dressed in nothing but white bathrobes, probably scented with roses. I know this because there are pictures of it all over Facebook. It’s an absurd life, but it looks amazing on camera, frozen into place and glossed over with a vintage filter. Nothing looks quite right these days without a filter over it. In fact, it would be a real discomfort, an act of defiance, to see a photo Instagrammed in unvarnished color, with no sepia or burnt-orange tinges and only the truth, black and white as ever. Continue reading
I grew up in a world of mildly rich people with dippy problems.
These problems often concern serious trifles gone awry. A majority of them deal with the three final rungs on Maslow’s Hierarchy of Needs: Belonging, Self-Esteem, and Self-Actualization. As for the people, we’re not The Rich Kids of Instagram. We don’t have inheritances or titles. But many of us are moderately wealthy tykes of the Lexus-driving variety and we all just graduated from the Academy, which comes with its own presumptions. We’re (more or less) well-educated and well-off, and we advocate for little brown children in South America via Valencia-tinged Instagram feeds. We’re also fiercely suburban, albeit in denial of the fact. As it seems, life is an absolute idyll for us, as absolute an idyll as the 1950s American Dream in 2014 can be.
If anyone out there reads this blog regularly, you’ve probably noticed the dwindling number of posts I’ve been getting around to. Truth be told, my fashion blogging craze has begun to lose its sparkle and I’ve started drifting off towards other quote-on-quote “creative projects.” Over the past week, I’ve been cooking up a short story, so I’ll post the first few paragraphs at the end of this post to prove it to you. Hopefully, I’ll be blending in more creative pieces into the typical fodder of le blog.
Start of untitled short story:
The golden sun, milky and pure, that poured into the road took me by surprise. And so did the skinny ribbon of cracked asphalt, and the wheat fields miles away from any shopping center or subdivision. Something raw and wild crept out from behind the landscape. From the rusty pick up trucks that spotted the curbs, to the creaking traffic lights that swung above the intersections, something was wedged between the cracks of it all that felt blissfully untouched. I couldn’t tell you how, but the world that lined route 463 felt perfectly removed from the rest of the universe that whirled beyond it. It was a beautiful anachronism, the idea of a two-lane road that stretched for miles like a quaint curving stripe. I sped along it with a goofy smile smeared on my face and music pumping through the speaker system, a study in smooth happiness.
Eventually, I reached the hills. They bubbled up and down making the road rise and fall and twist back over itself. I drove right past Mill Road, where I was supposed to turn right. I had to make a looping U-turn through a sparse neighborhood in order to get back to it. Driving on Mill Road was like riding a children’s roller coaster, one of those wooden Gemini Jr. ones that didn’t have any upside-down loops but had plenty of swooping turns and drops. I thought it was a sheer delight. And between the skinny skeletons of trees, when I rounded a bend, I could catch a glimpse of a huge basin of water beyond. It almost looked like a wide river if you didn’t know any better. The hills cradled it into a valley where it shimmered like dull silver.
I drove along Mill Road for 2.7 miles until it brought me to a mailbox labeled 1129. A long driveway stretched behind it leading to a house that couldn’t be seen. I pulled in slowly, rolling along the ashen pavement and passing a carved wooden sign that read “Fantasy Farm” in large, cartoonish letters. The house was made of dark panels of wood punctuated with black triangles for décor. Another big black triangle of a roof sloped casually over everything. It was a squat, horizontal house, only two floors high, and it sat like a solemn wooden dwarf in a forest clearing. The air around it had an evergreen tint, and the grass at its feet was a faded olive. It all felt a bit tired, as if the dwarf-house had been waiting for someone to arrive. But the moment people came, every crease of weariness melted into a warm welcome.